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Heather Nova – Gloomy Sunday (cover)

Sunday is Gloomy, My hours are slumberless, Dearest the shadows I live with are numberless, Little white flowers will never awaken you, Not where the black coach of sorrow has taken you, Angels have no thought of ever returning you, Would they be angry if I thought of joining you, Gloomy Sunday

Gloomy is Sunday, with shadows I spend it all, My heart and I have decided to end it all, Soon there’ll be candles and prayers that are said, I know, but let them not weep, let them know that I’m glad to go, Death is no dream for in death I’m caressing you, With the last breath of my soul I’ll be blessing you Gloomy Sunday

Dreaming, I was only dreaming, I wake and I find you asleep in the deep of my heart … dear, Darling I hope that my dream never haunted you, My heart is telling you how much I wanted you, Gloomy Sunday

gloomy_sunday_vi_by_classically_fragile-d1bhvos

 

Rezso Seress

“Gloomy Sunday” is a song composed by Hungarian pianist and composer Rezső Seress and published in 1933, as “Vége a világnak” (“End of the world”). Lyrics were written by László Jávor, and in his version the song was retitled “Szomorú vasárnap” (Hungarian pronunciation: [ˈsomoruː ˈvɒʃaːrnɒp]) (“Sad Sunday”). The song was first recorded in Hungarian by Pál Kalmárin 1935 and first recorded in English by Hal Kemp in 1936, with lyrics by Sam M. Lewis, and was recorded the same year by Paul Robeson, with lyrics by Desmond Carter. It became well known throughout much of the English-speaking world after the release of a version by Billie Holiday in 1941. Lewis’s lyrics referred to suicide, and the record label described it as the “Hungarian Suicide Song”. There is a recurring urban legend that claims that many people committed suicide with this song playing.

Rezső composed the song while living in Paris, in an attempt to become established as a songwriter in late 1932. The original musical composition was a piano melody in C-minor, with the lyrics being sung over it. Seress wrote the song at the time of the Great Depression and increasing fascist influence in the writer’s native Hungary, although sources differ as to the degree to which his song was motivated by personal melancholy rather than concerns about the future of the world. The basis of Seress’s lyrics is a reproach to the injustices of man, with a prayer to God to have mercy on the modern world and the people who perpetrate evil.There are some suggestions that the words of “Vége a világnak” were in fact not written until World War II itself and not copyrighted until 1946. Read @ en.wikipedia.org/wiki/Gloomy_Sunday


R.E.M. – Everybody Hurts

Bermuda Reggae Documentary Trailer – Philando “Runksie” Hill Jr @Natureality4u

A history of reggae dance hall music in Bermuda

This is a story of the founders of reggae music in Bermuda and the Jamaican influence. Rastafarian culture, artists, bands, producers, promoters and sound systems whom are responsible for the longevity of the reggae music in the island of Bermuda. Interviews with the big and heavy contributors from the 1970’s to Now. Were going back to the beginning of the dancehall…. This is the foundation of the old school!

Artist, Acoustics, Bermuda Archives, Commercials, DJ’s,Dancehall, Dubplates, Entertainment, Interviews, Originality, Real Reggae Music, Selectors, Soundsystems, Skits, Stageshows, Remixes, Videos, NO CLONES NO PIRATES NO ISM’S

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Article

  • Reggae Music in Bermuda Cultures 08/23/04 – Vejay Steede (link defunct) writesight.com/writers/nia/article.3676 

Uzimon – Pussy Weapon EPK Interview @UZIMONTHEGUN

UZIMON’s music has been labeled by some as “Spoof” and “parody” music, yet he denies the categorizations, claiming “Some understand, some cannot. Those who cannot, rob themselves of enlightenment, but me never spoof nothing.” UZIMON has been blazing a trail with his own original blend of Reggae Dancehall and Hyper-Roots-Rock style since 2009. Straight out of Bermuda, and known for his wild stage antics, outrageous lyrics and inexorable dedication to the true sound of reggae, UZIMON has been labeled as “the Anti-Matisyahu. An outsider, yet a dogged practicioner of the true slackness style of Dancehall of the 70s 80s 90s and beyond..” He has performed alongside and shared the stage with such international artists as Ziggy Marley, Maxi Priest, Raekwon, Cam’ron, The Slackers, Rubblebucket, Langhorne Slim, and Milton Henry to name a few. Last year, his record “Pussy Weapon” was produced by Phil Moffa of Tape Theory Records and Grammy-Award Nominated Producer Joe Ferry (The Skatalites”) His most recent record “Showdown” is produced by Brett Tubin of Channel Tubes Records and features production work and keyboards by Victor Axelrod (Dub Side of The Moon, Amy Winehouse, Sharon Jones and The Dap-Kings) When he is not performing at sold-out venues in NYC or touring, he is an avid fertility hobbyist and enjoys teaching his own style of Martial Arts at his studio in Brooklyn. http://www.uzimon.com The EPK for UZIMON’s album “Pussy Weapon” Filmed & Edited by Mathew Burniston http://www.heshereallweek.com/ http://vimeo.com/heshereallweek/videos

Uzimon | uzimon.com | twitter

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Free (Mandela) – Jimmy Duncan & Tony Brannon

Free was written by Jimmy Duncan & Tony Brannon in Barbados during the release of Nelson Mandela on February 11th 1990 after 27 years of imprisonment.

Ride the Wave was created in 2010 by Michael Freisenbruch and Tony Brannon to help raise money for Bermuda’s children for Protection and to also promote Bermuda Music. In 2010 “Ride the Wave volume 1” raised over $ 40,000 for “The Coalition for he Protection of Children”.

Ride the Wave